Diary of a Madman and Other Tales by Nikolai Gogol

Diary of a Madman and Other Tales by Nikolai Gogol

Author:Nikolai Gogol
Language: eng
Format: epub
Tags: Diary of a Madman is one of Gogol's greatest stories. The tale follows the life of a minor civil servant during the repressive era of Nicholas I. Following the format of a diary, the story shows the descent of the protagonist, Poprishchin, into insanity. Diary of a Madman, the only one of Gogol's works written in first person, follows diary-entry format. This Sovereign Classic edition also includes the following other tales: The Mantle, The Nose, A May Night.Nikolai Gogol, a Ukrainian-born Russian dramatist, novelist and short story writer, one of the preeminent figures of the natural school of Russian literary realism, with influences of fundamentally romantic sensibility, and strains of surrealism. His later writing satirised political corruption in the Russian Empire leading to his eventual exile.Gogol, humour, comedy, farce, satire, Russia, Ukraine, Kiev, historical, bureaucracy
Publisher: Sovereign
Published: 2014-02-06T00:00:00+00:00


TALE 4. A MAY NIGHT

I

Songs were echoing in the village street. It was just the time when the young men and girls, tired with the work and cares of the day, were in the habit of assembling for the dance. In the mild evening light, cheerful songs blended with mild melodies. A mysterious twilight obscured the blue sky and made everything seem indistinct and distant. It was growing dark, but the songs were not hushed.

A young Cossack, Levko by name, the son of the village headman, had stolen away from the singers, guitar in hand. With his embroidered cap set awry on his head, and his hand playing over the strings, he stepped a measure to the music. Then he stopped at the door of a house half hidden by blossoming cherry-trees. Whose house was it? To whom did the door lead? After a little while he played and sang:

“The night is nigh, the sun is down,

Come out to me, my love, my own!”

“No one is there; my bright-eyed beauty is fast asleep,” said the Cossack to himself as he finished the song and approached the window. “Hanna, Hanna, are you asleep, or won’t you come to me? Perhaps you are afraid someone will see us, or will not expose your delicate face to the cold! Fear nothing! The evening is warm, and there is no one near. And if anyone comes I will wrap you in my caftan, fold you in my arms, and no one will see us. And if the wind blows cold, I will press you close to my heart, warm you with my kisses, and lay my cap on your tiny feet, my darling. Only throw me a single glance. No, you are not asleep, you proud thing!” he exclaimed now louder, in a voice which betrayed his annoyance at the humiliation. “You are laughing at me! Good-bye!”

Then he turned away, set his cap jauntily, and, still lightly touching his guitar, stepped back from the window. Just then the wooden handle of the door turned with a grating noise, and a girl who counted hardly seventeen springs looked out timidly through the darkness, and still keeping hold of the handle, stepped over the threshold. In the twilight her bright eyes shone like little stars, her coral necklace gleamed, and the pink flush on her cheeks did not escape the Cossack’s observation.

“How impatient you are!” she said in a whisper. “You get angry so quickly! Why did you choose such a time? There are crowds of people in the street…. I tremble all over.”

“Don’t tremble, my darling! Come close to me!” said the Cossack, putting down his guitar, which hung on a long strap round his neck, and sitting down with her on the door-step. “You know I find it hard to be only an hour without seeing you.”

“Do you know what I am thinking of?” interrupted the young girl, looking at him thoughtfully. “Something whispers to me that we shall not see so much of each other in the future.



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